Bienvenue á Paris!
Welcome to Paris in the Springtime, on The Classics Circuit! Émile Zola is our featured author. Several of us are reading Thérèse Raquin, Zola’s first major work. Wikipedia describes this book as the tragic story of a young unhappily married woman and her ill-fated affair. Published in 1867, Zola’s goal was to “study temperaments and not characters”, and he did so with a very detached, scientific approach. I thought this book would be a good introduction to Zola. I guess a lot of others did, too, because there are eight people reviewing Thérèse Raquin for this tour. This is review #5 and while I have linked to previous reviews below, I was careful not to read any of them until I’d finished the book and formed my own opinions.
Thérèse Raquin was pretty well-received by Classics Circuit participants. I’ll say more about that after my review.
In the preface to Thérèse Raquin, Émile Zola wrote,
In a word, I wanted only one thing: given a powerful man and a dissatisfied woman, to search out the beast in them, and nothing but the beast, plunge them into a violent drama and meticulously note the feelings and actions of those two beings. I have merely performed on two living bodies the analytical work that surgeons carry out on dead ones. (p 4)
The book was written in 1867, when psychology and behavioral studies focused largely on the idea of “temperament.” Zola chose to examine how two individuals of different temperament would respond to a set of circumstances. Enter Thérèse, a young woman abandoned by her natural father, raised by her aunt (Madame Raquin), and married to her sickly cousin Camille. She worked as an assistant in her aunt’s Paris haberdashery, and helped care for Camille. Life was dull, even stifling. Camille worked in a railway company office, and soon established a regular Thursday evening dinner with colleagues at his home. One of the guests, Laurent, was young and virile, and Thérèse was instantly attracted to him. The feeling was mutual, and they quickly found themselves entangled in a passionate affair.
From this point Zola explored what two people of such temperaments might do to satisfy their desires. As Thérèse & Laurent’s passions escalated, their actions became more rash, culminating in an unthinkable act. Zola meticulously dissected the couple’s thoughts and actions, and the impact of the act on their relationship. Things turned quite dark at this point; the claustrophobia and fear were palpable. There was never any doubt in my mind how the story would end, and yet there was still an element of suspense.
Zola’s writing style is detached and analytical — like a news reporter or scientist, reporting the facts without judgment — but he also brought 1860s Paris to life, with settings modeled on popular paintings of the day. Despite the detached style, Thérèse Raquin was an excellent character study. I actually found Madame Raquin’s character most intriguing. She’s somewhat of a passive bystander, and yet as the situation escalates her passivity takes on a level of importance that I did not anticipate. This book was so well-written that I was quickly hooked.
Four other reviews of Thérèse Raquin have been published so far:
I was a little worried that Classics Circuit readers would tire of hearing about dear Thérèse. But each of these reviews addresses different aspects of the book. Some are more focused on plot, and others on style. Taken as a whole, readers gain a comprehensive understanding of this work. It was almost like being in a book group, sharing so many different perspectives. And surprisingly, everyone liked this book! Bibliolatry wrote, “I was shocked by how graphic and disturbing this short novel was” — a sentiment expressed in different ways by each reviewer. We liked the suspense, the intrigue, and even the unusual “Naturalist” style so characteristic of Zola’s writing.
But wait! There’s more! Thérèse will make three more appearances during this tour:
I’m curious to see whether their opinions will be markedly different from those expressed so far. But even if they aren’t, I’m sure each blogger will bring their own unique point of view, and I am looking forward to reading their thoughts.
To learn about Zola’s entire body of work, check out all of the tour stops. À bientôt!